Team

Elena Kalinichenko
Elena is a Ukrainian documentary photographer with five years of experience, dedicated to telling stories of people, nature, and culture through both digital and analog photography. She participated in the IKEA project, where she had the honor of being mentored by Annie Leibovitz. This experience, along with collaborations in creative and volunteer projects, has shaped Elena’s unique approach to visual storytelling.
Articles

Hungary’s soft power meets Ukraine’s hard reality in Zakarpattia
BEREHOVE, Zakarpattia Oblast — Thin gray smoke drifts beyond the patchwork of Soviet-era apartment blocks, historical buildings, and hillside vineyards that make up Berehove — the heart of the Hungarian community in Ukraine's westernmost Zakarpattia Oblast.
"That's Hungary, over there, where you see the smoke," gestures Vitalii Antipov, a member of the local council, toward the not-so-distant horizon. He stands on top of a hill adorned by a massive white cross with a makeshift inscription thank

Growing up under missiles — Ukrainian childhoods shaped by war (Photos)
Ukrainian children are growing up in a world entirely reshaped by Russia’s war. Sirens, blackouts, and bomb shelters are nothing extraordinary — but a part of everyday childhood.
This photo story follows five families as they raise their children in the shadow of the ongoing invasion. It’s not about the battlefield, but of bedrooms with windows shattered by blasts, morning routines interrupted by air raid alerts, and games played in underground shelters. The war seeps into the smallest moments.

‘I’m not fine’ — Intimate scenes of life during war (Photos)
An abandoned bed that often remains empty until morning as its usual occupants seek shelter during Russian attacks. A backpack with essentials to take along during each air raid. A family hug during a blackout, when a flashlight brings out the invisible on a mother’s face in daylight.
After almost three years in wartime Kyiv, Ukrainian documentary photographer and photojournalist Elena Kalinichenko turned her camera toward the private scenes of daily life as a way of coping with her reality.
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